The sleevenotes read "everything created by GOD," and certainly the inspiration here is truly divine. Detroit's Moodyman has come down from the theoretical mountain to deliver his own interpretation of gospel. And soul, house, jazz and all sorts of electronica.
Here is about as near perfect a description of the phrase "genius is next to madness" as one ever thought possible. Other artists have attempted to seamlessly fuse so many different influences, but Moodyman brings them together to form a sound that almost defies classification. Tracks like 'The Set-Up' are lush gardens of deep electronica, dense, but with enough space in the production to give a minimal effect.
The stunning 'Tribute' is bumping house on ice, with a twist, while 'Your Sweet Lovin'' is a down tempo delight. Uplifting vocals and strings soar away, leaving a gentle tonic to ease weary souls. Track after track unfolds to reveal glittering, hidden treasure.
Listen again, and discover even more. Sounds are buried deep in a soothing liquid of sublime four-to-the-floor house.
Ever flick through the radio frequencies listening for something exciting?
The effect is often very otherworldly. Here, there's pieces of a gospel choir, a preacher delivering his sermon; listen in on a family conversation, or a child singing.
Hear the rhythms and chants of Africa, a jazz guitar, a church organ. The list is endless. 'The Thief That Stole My Sad Days' perhaps best defines this album, and is worthy of the highest praise. Traditional gospel is beautifully woven with uplifting house in the most unique and uncompromising way. Utterly gorgeous, and certainly heaven sent. Give thanks for 'Forevernevermore'.